
Free Watch I Hired a Contract Killer (1990) Online Stream Without Downloading uTorrent Blu-ray Movie Movie Full HD 720p Without Downloading Online Stream
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Title: Free Watch I Hired a Contract Killer (1990) Online Stream Without Downloading uTorrent Blu-ray Movie- Released: 1990-10-12
- Genre: Comedy, Drama
- Date: 1990-10-12
- Runtime: 80 Minutes
- Company: Villealfa Filmproductions, Svenska Filminstitutet, Finnkino, Esselte Video, Megamania, Pyramide Productions, Channel 4 Television, Pandora Film
- Language: English
- Budget: -
- Revenue: -
- Plot Keyword : Comedy, Drama
- Homepage:
- Trailer: Watch Trailer
- Director: Aki Kaurismäki, Aki Kaurismäki, Aki Kaurismäki, Aki Kaurismäki, Aki Kaurismäki, Timo Salminen, Klaus Heydemann, Jouko Lumme, John Ebden, Timo Linnasalo
Storyline Free Watch I Hired a Contract Killer (1990) Online Stream Without Downloading uTorrent Blu-ray Movie (1990):
After fifteen years' service, Henri Boulanger is made redundant from his job. Shocked, he attempts suicide, but can't go through with it, so he hires a contract killer in a seedy bar to murder him at some unspecified time in the future. But almost immediately he meets and falls in love with Margaret, a flower-seller, which makes Henri realise that his life has some meaning after all. But when he goes back to the bar to cancel the contract, he finds it has been demolished - and there's no way he can get in touch with the killer...Casts of Free Watch I Hired a Contract Killer (1990) Online Stream Without Downloading uTorrent Blu-ray Movie:
Jean-Pierre Léaud, Margi Clarke, Kenneth Colley, T.R. Bowen, Imogen Claire, Angela Walsh, Cyril Epstein, Nicky Tesco, Charles Cork, Michael O'Hagan-
User Rating: 7 out of 10 ★ From 2611 Users
Learn More About Free Watch I Hired a Contract Killer (1990) Online Stream Without Downloading uTorrent Blu-ray Movie
Very early in his career, the Finnish auteur Aki Kaurismäki established an aesthetic for his films in colour that has held for decades now: the characters are blue-collar people struggling to get by, and whatever emotions they feel, their lines of hatred, love, hope, or disappointment are communicated in an utterly deadpan, monotone fashion. The scenery is usually drab industrial buildings and rusting dockyards. Kaurismäki's 1990 film I HIRED A CONTRACT KILLER moves that formula, developed in his native Helsinki, to London. This is not the posh London of the royal family, bankers or socialites. Kaurismäki managed to find completely dilapidated locations that I would have never imagined to exist in London of that time (though no doubt they've long since been gentrified beyond recognition at this point).Henri Boulanger (Jean-Pierre Léaud), a timid Frenchman living in London with no apparent friends or surviving family, has worked for fifteen years for a state utility. When he is made redundant in a bit of Thatcher-era privatization, he feels he has nothing more to live for. He attempts suicide twice, both tries ending in morbidly humorous failure, and he lacks the courage to try any further. He decides to enter the East End criminal underworld and to hire a paid assassin to kill him. The mob boss takes Henri's money and tells him it will be done through a subcontractor. But when Henri meets the lovely Margaret (Margi Clarke) and starts coming out of his shell, he suddenly has second thoughts. Unable to call off the job, he and Margaret try to evade the hitman (Kenneth Colley), already on Boulanger's trail.
Kaurismäki's films are, to a large extent, dark comedies, and there are some laughs here. I also appreciated the element of homage to Kaurismäki's forebears and peers here. Colley's sad hitman and the way the shots frame him was surely drawn from the crime capers that Jean-Pierre Melville shot in his last years. Kaurismäki's perennial love for drab scenery had been boosted by his newly established friendship with Jim Jarmusch, a director who presented America at this time as so many vacant lots and abandoned buildings.
Still, I wouldn't consider this among Kaurismäki's best work. One of the things that makes Kaurismäki's main, Finnish-language output so hilarious is that the characters speak in literary Finnish (nearly a different language than colloquial Finnish). When the dialogue is in English and with a mix of UK accents, the formula is not quite as effective. Jean-Pierre Léaud's English is almost incomprehensible -- the actor has been a titan of French film since the New Wave of Truffaut and Godard, but he's not proficient enough in English to do English-language cinema. Kaurismäki no doubt wanted intended the character to sound that way, but it feels off for this viewer. I'd recommend this film only to those who have enjoyed a series of Kaurismäki's stronger films of the era like the so-called "Proletariat Trilogy
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